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Of course, when a literary author is a weird obsessive with no social skills, his introversion and eccentricity are signs of his genius.Fantasy fiction suffers from this as well to a similar extent due to the difficulty of defining the line between science fiction and fantasy.In fact, fantasy fiction often has it even worse, as it is speculative in a completely implausible way (science fiction is just implausible).This possibly resulted from the craving for and excitement over science in the 1950s: science fiction, for its 'faults', was seen as at least a baby-steps way to teach kids actual science so they could grow up and become scientists or engineers, whilst fantasy was associated more with the fairy tales of youth, and therefore was thought to be child-like (the supposed "childishness" of fairy tales themselves is another issue entirely).If you're looking for more material to make you laugh, check out our other sites: Quick, Funny Jokes and Yo Mama Jokes Galore!"[My agent] said 'You have a murder mystery up there, you have a horror book up there, you have all kinds of genres on the bestseller shelf, why not Terry Pratchett's book?To most critics, "postmodern" works can not even be genre writing.
And works of science fiction tend to age less gracefully than literary fiction, because both Technology and Society Marches On.
On a related note, Porn with Plot often falls into the ghetto, no matter how good the story is.
Last but certainly not least, there's the romance genre.
Similarly, some fans eagerly embrace the ghetto and will prefer or, in extreme cases, only engage with media from within it, often dismissing those who engage with media outside of it as morons lacking imagination.
This attitude, of course, tends to overlook the fact that it also takes energy, creativity and imagination to construct a fine non-Science Fiction work, and can be indicative of a similar kind of snobbery to that which creates the idea of this Ghetto in the first place.